From ancient times music has been adored, admired and praised, or conversely, feared or hated. It is the subject of an ongoing debate on the nature of the emotions and socio-political responses it is able to evoke. This discussion reflects the diversity of intellectual fields that study both the making of music in its many forms and variations and how it is received by its listeners. The only matter on which there is unanimous agreement is the importance of the functions of music. What effect does music have on the feelings and moods of human (or animal) listeners? (Schafer et al. 2013). Musicologists are often seen as the experts on everything connected to understanding and feeling music. Students of world cultures ask: how does making music contribute to the integration of individuals in various societies all over the world? (Merriam 1964). Music historians laid the groundwork by analyzing the functions of music in terms of Zeitgeist